Kind
Formula
Interpretive layers
Teaching pattern

Bring the desired object or person so close in imagination that it can be touched and felt as solidly real (the mental hand on the piano, the imaginary hand in a friend's), because feeling rather than seeing gives the imaginal state its reality; Isaac's blessing given by touch is the scriptural type.

Collections
Lectures
Own wordings
to put my mental hand upon the piano and to feel it solidly real
imagine that your objective is so close that you can feel it
Put your imaginary hand into his. Feel it to be solid and real
you bring it so close that you can feel it as though it were solidly real now
Lose yourself in feeling this assumption is solidly real
You can FEEL this to be so real that upon opening your eyes you are amazed to find that you are not physically there
In your imagination bring him close enough to put your hand upon him and feel him to be solidly real
you can imagine and feel that you touch it
imagine that housed within your hand is a more subtle, more real hand, which can be extracted in your imagination
when the form of thought is as vivid as the form of nature, we have given it the right to become a visible fact in our lives
giving it all the sensory vividness, giving it all the tones of reality

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You can do it and you will actually feel it if you become still enough and intense enough.
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In your imagination bring him close enough to put your hand upon him and feel him to be solidly real.
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But imagine that housed within your hand is a more subtle, more real hand, which can be extracted in your imagination.
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Put your imaginary hand into his. Feel it to be solid and real
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Give him all sensory vividness, and when it takes on the tones of reality, open your eyes!
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and he feels him as I felt the rail on the ship, as I could smell the salt of the sea in the wind
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all in my imagination, giving it all the sensory vividness, giving it all the tones of reality
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If I can so clothe this imagined state with all the vivid sensitiveness of reality, then I will ultimately actually clothe it in flesh
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until the whole thing seems natural and seems real, and it has the sensory vividness of reality
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until this seeming imagined state begins to take on to me the tones of reality
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Can you feel embracing arms around you?
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“Can you feel the embrace of such a man?”
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if you hold to it in your imagination, then you will make it real in your outer world
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I felt it and it was solidly real, just as it would feel here, and my hand did not go through it, and I held on to it and made myself awake
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do it over and over in your imagination until that takes on the tones of reality
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but you bring it so close that you can feel it as though it were solidly real now
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But to visualize it in this room as though it were here and to put my mental hand upon the piano and to feel it solidly real
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Then visualize a friend standing before you. Put your imaginary hand into his. Feel it to be solid and real
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Lose yourself in feeling this assumption is solidly real.
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Note the stress that is placed upon feeling in this story.
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You can FEEL this to be so real that upon opening your eyes you are amazed to find that you are not physically there.
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I will be able to surround myself with the environment of London as though it were a solid concrete objective fact
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Teach them how to say “thank you,” but I need not ever teach anyone how to feel it. So how do I feel it? Not the words, get below the words into the feeling.
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Keep the action going until the ring has the distinctness and feeling of reality.
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then mentally touch it and mentally appropriate it and feel that you have it
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take your imaginary hand, which is Jacob’s hand, and put it into his imaginary hand. Leave it in that imagined state until it takes on the tones of reality.
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imagine that he is fully conscious of the good that is already his and he accepts that congratulation and make the contact real
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I do it over and over until it takes on the tone of reality
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she took her imaginary hands and held these letters
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I can take my hand now, place it on this book, and assume that I am fondling something that is not here to be seen by anyone.
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I gave every step all the solidity that I could muster—all the sensory vividness that I could actually bring to play upon that action
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she took all of her attention and hallucinated it—you can hallucinate sights, smell, touch
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you touch it by becoming intensely aware of it; that’s the only way to touch a thing
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When I become intensely aware that I am hearing what I want to hear and am actually touching what I want to touch
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I know what I want – a collie puppy – and I can imagine I am hugging him every night on my bed.
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we must focus our attention upon the desired state until it has all the sensory vividness and feeling of reality
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It never failed me if I would give the mood, the imagined mood, sensory vividness.
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Give your imaginary state all the tones and feeling of reality.
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And while I am touching the furniture and feeling it to be solidly real
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LectureTv Talk
and imagined everything into hallucinatory clarity
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I simply assumed it, and imagined the sensation that I would feel were it true, and I could feel a pillow.
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