Shakespeare's lines taken literally and then corrected: we have our exits and our entrances and one man in his time plays many parts - but the 'time' is not three-score and ten, it is however long it takes to awaken the actor, who is God. God is the playwright and the casting director, and the play runs from Genesis to Revelation with Christ as its star. The cast is fixed and recurs in every age: the twelve, the four-and-twenty elders, Caiaphas the religious power and Pilate the political, the Sadducees who are the wise men, the Pharisees who conform to what will make them important, the Scribes who can elaborate a Shakespeare or a Blake but cannot write one original thought, and the multitude who hail the hero today and stone him tomorrow. There are billions of actors but only so many parts, and every part must be played. When Olivier plays Hamlet, Hamlet can do nothing but what Olivier does - so the characters never walked the earth, and one must learn to distinguish the man from the character he is playing. If a part has to be played over and over, it will be played until the actor learns he is the actor and not the part.
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William Shakespeare, As You Like It | All the world’s a stage and all the men and women merely players
Own wordings
The characters are the eternal states of the Soul
I am the actor and not the part I am playing
The supreme actor of the world is God
like Hamlet remaining after Lawrence Olivier makes his exit from this world
Occurrences
LectureThe Story of Judas
“All the world’s a stage and all the men and women merely players. We have our exits and our entrances and one man in his time plays many parts.”
Span from: 242
to: 387
Passage revision:
620542
LectureThe Story of Judas
You could play Caiaphas or Pilate forever, and think that causation is external, or is in the hands of the political or the religious powers, or the great universities.
Span from: 257
to: 425
Passage revision:
592555
LectureThe Story of Judas
there is always the political power, and the religious power, and the wise men, called the Sadducees, and those who conform to that which they think will make them important in the eyes of men – the Pharisees
Span from: 464
to: 672
Passage revision:
592551
LectureThe Story of Judas
When Olivier plays Hamlet, Hamlet can do nothing but what Olivier does, and then Olivier can if he wishes play another character altogether.
Span from: 555
to: 695
Passage revision:
620543
LectureThe Story of Judas
So if I have to play a part over and over until I am buried in the part, I will be buried until I learn I am the actor and not the part I am playing.
Span from: 700
to: 849
Passage revision:
592563
LectureThe Book of Job
As you read it, see only one being playing all the parts, and that is Job and that is you. He is in conflict with himself, and at the very end he is integrated.
Span from: 169
to: 329
Passage revision:
592685
LectureThe Six-Pointed Star
At the end of playing all the parts, who are you? You’re not Hamlet and you’re not the mother or the murderous uncle, the wounded and dead father, or any part. You are the actor.
Span from: 457
to: 635
Passage revision:
620552
LectureThe Six-Pointed Star
To tell you that Stalin and the Pope are played by the same being, you might be shocked, but there is no other being to play the part.
Span from: 746
to: 880
Passage revision:
621633
LectureWhere Are You From
like Hamlet remaining after Lawrence Olivier makes his exit from this world. And so he remains, as part of the eternal structure of the play called Hamlet.
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to: 344
Passage revision:
607915
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Passage revision:
625086
LecturePaul's Autobiography
You were shown the whole thing like a play going on a stage tonight, and someone moved across the stage and they played the perfect play of God’s only salvation, the only way that man could be saved.
Span from: 0
to: 199
Passage revision:
614832
LecturePaul's Autobiography
It was all portrayed to Abraham. “And Abraham rejoiced that he was to see my day.” Then he went into the foreign land, as he was led by the spirit, but he still remained faithful to what he had seen in the play.
Span from: 282
to: 493
Passage revision:
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to: -1
Passage revision:
615161
I accept literally the saying that all the world’s a stage, and I believe that God plays all the parts. The purpose of the play: to transform man, the created, into God, the creator.
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to: 182
Passage revision:
620688