Billed as 'premier dancers' of the Atlanta Municipal Opera Association, performing Lewis Morton's 'Balloon Ballet' preceding the company's production of 'H.M.S.
Danced the 'Meditation' adagio as featured dancers in the Atlanta Municipal Opera Association's production of Franz Lehar's 'The Count of Luxembourg' at the Erlanger Theatre — the fifth production of
Danced a first-act tarantella and a second-act tango in the Atlanta Municipal Opera Association's production of 'The Wildflower' (Arthur Hammerstein) at the Erlanger Theatre — the seventh production o
between 8 August 1927 and 13 August 1927
(probable)
'Amerique and Neville, dancers of the Atlanta Municipal Opera Association', dancing an Apache number in 'Pom-Pom' — the final production of the association's 1927 eight-week Erlanger summer season.
T
Friend dreams Father Time records a spiritual birthday
Description
In the same letter, the friend describes a dream, repeated twice in one night, of a Father Time figure with a gilt-edged book and quill insisting he was born on a day other than his actual birthday; Neville reads it as the record of a spiritual birth.
Authored by
Anonymous (not verified)
The operetta "My Princess" opened October 6, 1927 at the Shubert Theatre, with Amerique and Neville performing a tango in Act Two; it closed October 22 after 20 performances.
Neville danced in the operetta My Princess at the Sam S. Shubert Theatre in New York, performing a Tango in Act Two, running October 6-22, 1927.
between November 1927 and January 1928
(probable)
Vaudeville bill at the Palace Theatre pairing Gilda Gray's live stage appearance (with Amerique and Neville and a company of ten dancers) with the screen premiere of her film 'The Devil Dancer' (Unite
between November 1927 and June 1928
(possible)
Dance specialty in Gilda Gray's in-person stage revue (with Nat Nazarro Jr.
between December 1927 and June 1928
(possible)
Personal-appearance dance specialty on a Keith-Albee circuit bill (city not identified) with Gilda Gray's in-person revue and 'The Devil Dancer' on screen, advertising the forthcoming 'Happiness Ahead
Theater ad: 'IN PERSON GILDA GRAY AMERIQUE & NEVILLE ... THE DEVIL DANCER' now playing, with 'BEGINNING SUNDAY' for the next film.
between December 1927 and June 1928
(possible)
Personal-appearance dance specialty accompanying Gilda Gray's in-person stage revue and the screening of Samuel Goldwyn's 'The Devil Dancer' (with Clive Brook), on a Keith-Albee bill at the Albee Thea
At twenty-three, living in New York City and often without food, he resolved that he would starve rather than return to the comforts of his father's home in Barbados, because he had to find out the ca
None of the 36 nearby existing events mention a Gilda Gray-headlined bill or 'The Devil Dancer'/'Happiness Ahead' theater tie-in.
In a vision the night after that decision he was the young captain of a merchant cargo ship in a terrible storm; knowing the ship would go down, he strapped himself to the wheel to go down with it, an
c. 1 February 1928
(probable)
A Variety notice reports that the vaudeville dancers Amerique and Neville were temporarily out of vaudeville while fulfilling a four-week engagement at Club Lido, Boston, booked by John Daley of the A
c. 1 February 1928
(probable)
Exhibitors Herald and Moving Picture World (21 April 1928) reviews the Granada Theatre, Chicago prologue accompanying Gilda Gray's United Artists picture: 'the team of Amerique and Neville enters to d
Touring presentation-house engagement of Samuel Goldwyn's 'The Devil Dancer' (Gilda Gray), with Gilda Gray appearing in person on stage alongside a large company including Amerique-Neville, Gracie Dea
Frank Aston's Cincinnati Post review (18 June 1928) of Gilda Gray's stage show at the Albee names 'the team, Amerique and Neville' as part of her own dancing revue, alongside 'eight sprightly gazelles
Frank Aston's Cincinnati Post review (18 June 1928) of Gilda Gray's stage show at the Albee names 'the team, Amerique and Neville' as part of her own dancing revue, alongside 'eight sprightly gazelles
between November 1928 and December 1928
(probable)
Fox Theatre stage-and-screen premiere bill: 'Marriage by Contract' (Tiffany Pictures, Patsy Ruth Miller/Lawrence Gray, released 1928-11-09) on screen, with a Fox Theatre stage revue including the Stro